Shapes (Oliver Smith remix)
30s preview
- Key
- 9B · G major
- BPM
- 135
- Open Key
- 2d
- Energy
- 86/100
- Pop
- 1/100
- Length
- 3:35
- Released
- 2007
- Genre
- Progressive Trance
- Loudness
- -8.5 dB
- Dynamics
- 15.5 dB
- ISRC
- GBEWA1907436
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 135 BPM in G major (9B), Shapes (Oliver Smith remix) is a driving up-tempo progressive trance production. The feel is dark and driving. It is vocal-led. The master keeps unusual dynamic range for club music (crest 16 dB). A 2007 production that still circulates in sets. Faster than 97% of Maor Levi's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 86% of Maor Levi's catalogue
- Groove:
- less groove-driven than 83% of Maor Levi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Shapes (Oliver Smith remix) in?
Shapes (Oliver Smith remix) by Maor Levi is in G major, or 9B on the Camelot wheel.
What BPM is Shapes (Oliver Smith remix)?
Shapes (Oliver Smith remix) runs at 135 BPM, a driving up-tempo track.
What mixes well with Shapes (Oliver Smith remix)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Shapes (Oliver Smith remix) good for peak time?
With energy 86 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 135 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More progressive trance
More from Maor Levi
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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