Symphonica II (The Journey Continues) - Radio Edit
- Key
- 6A · G minor
- BPM
- 133
- Open Key
- 11m
- Energy
- 97/100
- Pop
- 1/100
- Length
- 3:49
- Released
- 2021
- Album
- Symphonica II (The Journey Continues)
- Genre
- Trance
- Loudness
- -6.1 dB
- ISRC
- GBLV62118845
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Symphonica II (The Journey Continues) - Extended Mixversion9B · 133
Symphonica II (The Journey Continues) - Radio Edit is a peak-time tempo trance track in G minor (6A) at 133 BPM. The mix is almost entirely instrumental. Darker than 98% of Daniel Kandi's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 90% of Daniel Kandi's catalogue
- Reach:
- more underground than 88% of Daniel Kandi's catalogue
- Tempo:
- slower than 83% of Daniel Kandi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Symphonica II (The Journey Continues) - Radio Edit in?
Symphonica II (The Journey Continues) - Radio Edit by Daniel Kandi is in G minor, or 6A on the Camelot wheel.
What BPM is Symphonica II (The Journey Continues) - Radio Edit?
Symphonica II (The Journey Continues) - Radio Edit runs at 133 BPM, a peak-time tempo track.
What mixes well with Symphonica II (The Journey Continues) - Radio Edit?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Symphonica II (The Journey Continues) - Radio Edit good for peak time?
With energy 97 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
![Omni [Mix Cut] - Giuseppe Ottaviani Remix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
How to mix it
In 6A at 133 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
![Kiksu [Mix Cut] - 2011 Rework by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
More trance
More from Daniel Kandi
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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