Rock Your Body Rock - DJ Dan Remix
30s preview
- BPM
- 133
- Open Key
- 7d
- Energy
- 99/100
- Pop
- 1/100
- Length
- 6:21
- Released
- 2003
- Album
- Rock Your Body Rock
- Genre
- Trance
- Loudness
- -5.8 dB
- Dynamics
- 11.7 dB
- ISRC
- NLB770400004
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Rock Your Body Rock - Original Editversion4B · 132
- Rock Your Body Rockoriginal5B · 132
- Rock Your Body Rock - Extended Mixversion2B · 132
- Rock Your Body Rock - ARTY Rock-N-Rolla Mixoriginal5B · 129
- Rock Your Body Rock - Dimitri Vegas & Like Mike Mainstage Remixremix4A · 129
- Rock Your Body Rockoriginal5A · 132
Against the original (5B at 132 BPM), this version runs 1 BPM faster and moves the key from 5B to 2B.
At 133 BPM in F♯ major (2B), Rock Your Body Rock - DJ Dan Remix is a peak-time tempo trance production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2003 production that still circulates in sets. Hotter than 96% of Ferry Corsten's catalogue.
- Groove:
- groovier than 77% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Rock Your Body Rock - DJ Dan Remix in?
Rock Your Body Rock - DJ Dan Remix by Ferry Corsten is in F♯ major, or 2B on the Camelot wheel.
What BPM is Rock Your Body Rock - DJ Dan Remix?
Rock Your Body Rock - DJ Dan Remix runs at 133 BPM, a peak-time tempo track.
What mixes well with Rock Your Body Rock - DJ Dan Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Rock Your Body Rock - DJ Dan Remix good for peak time?
With energy 99 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
![Corsten's Countdown 450 Intro [CC450] by Ferry Corsten cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0f9d78487555c9e0cf5c.webp){kind=small}
How to mix it
In 2B at 133 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
![Kiksu [Mix Cut] - 2011 Rework by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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