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Lonely Inside by Ferry Corsten cover art

Lonely Inside

Ferry Corsten

30s preview

Key
8A · A minor
BPM
132
Open Key
1m
Energy
95/100
Pop
2/100
Length
3:16
Released
2017
Genre
Trance
Loudness
-5.4 dB
Dynamics
14.9 dB
ISRC
NLQ881700167

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Lonely Inside is a peak-time tempo trance track in A minor (8A) at 132 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 15 dB). A 2017 production that still circulates in sets. More treble-tilted than 82% of Ferry Corsten's catalogue.

Energy:
hotter than 81% of Ferry Corsten's catalogue
Brightness:
darker than 78% of Ferry Corsten's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood11Dark
Groove48
Acoustic0
Instrumental94
Live13
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Lonely Inside in?

Lonely Inside by Ferry Corsten is in A minor, or 8A on the Camelot wheel.

What BPM is Lonely Inside?

Lonely Inside runs at 132 BPM, a peak-time tempo track.

What mixes well with Lonely Inside?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Lonely Inside good for peak time?

With energy 95 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

8A → 7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#TrackKey·BPM

Every move from 8A

9ASimple Mix Upper▲
7ASimple Mix Downer▼
8BTonal Shift·
9BDiagonal Mix Upper▲
7BDiagonal Mix Downer▼
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 132 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 95/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

#TrackKey·BPM

More trance

#TrackKey·BPM

More from Ferry Corsten

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM
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