In Between
- BPM
- 136
- Open Key
- 5m
- Energy
- 81/100
- Pop
- 0/100
- Length
- 3:24
- Released
- 2007
- Genre
- Trance
- Loudness
- -9.4 dB
- ISRC
- USA561454560
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
In Between is a driving up-tempo trance track in D♭ minor (12A) at 136 BPM. The feel is dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. A 2007 production that still circulates in sets. More underground than 99% of Paul van Dyk's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 93% of Paul van Dyk's catalogue
- Brightness:
- darker than 90% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is In Between in?
In Between by Paul van Dyk is in D♭ minor, or 12A on the Camelot wheel.
What BPM is In Between?
In Between runs at 136 BPM, a driving up-tempo track.
What mixes well with In Between?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is In Between good for peak time?
With energy 81 out of 100 at 136 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 136 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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