Right of Way - Extended Version
- BPM
- 137
- Open Key
- 4m
- Energy
- 77/100
- Pop
- 0/100
- Length
- 8:54
- Released
- 2003
- Album
- Right Of Way
- Genre
- Trance
- Loudness
- -10.9 dB
- ISRC
- NLQ881201031
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Right of Wayoriginal11A · 137
- Right of Way - Radio Editversion11A · 137
Against the original (11A at 137 BPM), this version holds the same tempo in the same key.
Right of Way - Extended Version is a driving up-tempo trance track in F♯ minor (11A) at 137 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2003 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 94% of Ferry Corsten's catalogue
- Tempo:
- faster than 84% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Right of Way - Extended Version in?
Right of Way - Extended Version by Ferry Corsten is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Right of Way - Extended Version?
Right of Way - Extended Version runs at 137 BPM, a driving up-tempo track.
What mixes well with Right of Way - Extended Version?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Right of Way - Extended Version good for peak time?
With energy 77 out of 100 at 137 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 137 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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