I'll Listen - John O'Callaghan Dark Mix
- Key
- 7A · D minor
- BPM
- 135
- Open Key
- 12m
- Energy
- 78/100
- Pop
- 15/100
- Length
- 3:14
- Released
- 2015
- Album
- Armada Collected: John O'Callaghan
- Genre
- Trance
- Loudness
- -7.8 dB
- ISRC
- NLF711205840
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
I'll Listen - John O'Callaghan Dark Mix runs 135 BPM in D minor (7A), a driving up-tempo trance record. It reads as dark and driving. It leans atmospheric over strictly danceable. A 2015 production that still circulates in sets. Darker than 98% of John O'Callaghan's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- calmer than 90% of John O'Callaghan's catalogue
- Tempo:
- slower than 85% of John O'Callaghan's catalogue
- Groove:
- less groove-driven than 84% of John O'Callaghan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is I'll Listen - John O'Callaghan Dark Mix in?
I'll Listen - John O'Callaghan Dark Mix by John O'Callaghan is in D minor, or 7A on the Camelot wheel.
What BPM is I'll Listen - John O'Callaghan Dark Mix?
I'll Listen - John O'Callaghan Dark Mix runs at 135 BPM, a driving up-tempo track.
What mixes well with I'll Listen - John O'Callaghan Dark Mix?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is I'll Listen - John O'Callaghan Dark Mix good for peak time?
With energy 78 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 135 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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