You'll Be OK (unplugged)
30s preview
- Key
- 8B · C major
- BPM
- 135
- Open Key
- 1d
- Energy
- 78/100
- Pop
- 36/100
- Length
- 3:29
- Released
- 2020
- Genre
- Trance
- Loudness
- -7.7 dB
- Dynamics
- 13.1 dB
- ISRC
- QZTGW2405782
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
You'll Be OK (unplugged) runs 135 BPM in C major (8B), a driving up-tempo trance record. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Better known than 87% of Gareth Emery's catalogue.
- Brightness:
- darker than 78% of Gareth Emery's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is You'll Be OK (unplugged) in?
You'll Be OK (unplugged) by Gareth Emery is in C major, or 8B on the Camelot wheel.
What BPM is You'll Be OK (unplugged)?
You'll Be OK (unplugged) runs at 135 BPM, a driving up-tempo track.
What mixes well with You'll Be OK (unplugged)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is You'll Be OK (unplugged) good for peak time?
With energy 78 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 135 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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