The Sun After Heartbreak - Woody von Eyden Remix
30s preview
- BPM
- 132
- Open Key
- 7d
- Energy
- 80/100
- Pop
- 2/100
- Length
- 6:33
- Released
- 2012
- Album
- (R)Evolution [The Remixes]
- Genre
- Trance
- Loudness
- -8.0 dB
- Dynamics
- 9.2 dB
- ISRC
- DEQ691300014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Sun After Heartbreakoriginal10B · 148
- The Sun After Heartbreak - Pedro Del Mar & DoubleV Remixremix9A · 131
- The Sun After Heartbreak - Nick Callaghan & Will Atkinson Remixremix10B · 138
Against the original (10B at 148 BPM), this version runs 16 BPM slower and moves the key from 10B to 2B.
The Sun After Heartbreak - Woody von Eyden Remix runs 132 BPM in F♯ major (2B), a peak-time tempo trance record. The feel is dark and driving. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2012 production that still circulates in sets. Groovier than 92% of Paul van Dyk's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 89% of Paul van Dyk's catalogue
- Low end:
- more bass-heavy than 86% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is The Sun After Heartbreak - Woody von Eyden Remix in?
The Sun After Heartbreak - Woody von Eyden Remix by Paul van Dyk is in F♯ major, or 2B on the Camelot wheel.
What BPM is The Sun After Heartbreak - Woody von Eyden Remix?
The Sun After Heartbreak - Woody von Eyden Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with The Sun After Heartbreak - Woody von Eyden Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is The Sun After Heartbreak - Woody von Eyden Remix good for peak time?
With energy 80 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
![343 [Mix Cut] - Giuseppe Ottaviani Remix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
How to mix it
In 2B at 132 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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