Lonely for You (ReOrder Extended Remix)
30s preview
- BPM
- 138
- Open Key
- 3m
- Energy
- 97/100
- Pop
- 0/100
- Length
- 6:12
- Released
- 2019
- Album
- Lonely For You (Remixes)
- Genre
- Trance
- Loudness
- -5.7 dB
- Dynamics
- 10.2 dB
- ISRC
- NLF711902841
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lonely For Youoriginal9A · 132
- Lonely For You - Club Mixversion10B · 132
- Lonely for You (Jerome Remix)remix11A · 103
- Lonely for You (ATFC Club Mix)version10A · 126
- Lonely for You (ATFC Extended Club Mix)version10A · 126
- Lonely for You (ATFC Extended Vocal Mix)version10A · 126
Against the original (9A at 132 BPM), this version runs 6 BPM faster and moves the key from 9A to 10A.
A driving up-tempo trance cut, Lonely for You (ReOrder Extended Remix) sits in B minor (10A) at 138 BPM. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Armin van Buuren's catalogue.
- Energy:
- hotter than 86% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Lonely for You (ReOrder Extended Remix) in?
Lonely for You (ReOrder Extended Remix) by Armin van Buuren is in B minor, or 10A on the Camelot wheel.
What BPM is Lonely for You (ReOrder Extended Remix)?
Lonely for You (ReOrder Extended Remix) runs at 138 BPM, a driving up-tempo track.
What mixes well with Lonely for You (ReOrder Extended Remix)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Lonely for You (ReOrder Extended Remix) good for peak time?
With energy 97 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 138 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
![Music Rescues Me [Pvd club mix] by Paul van Dyk cover art](https://i.scdn.co/image/ab67616d00001e02462b8d3407ae263d7fe1c83e){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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