Miracles (album mix)
30s preview
- Key
- 4A · F minor
- BPM
- 130
- Open Key
- 9m
- Energy
- 96/100
- Pop
- 0/100
- Length
- 5:18
- Released
- 2014
- Genre
- Trance
- Loudness
- -3.6 dB
- Dynamics
- 9.3 dB
- ISRC
- NLF711811722
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo trance cut, Miracles (album mix) sits in F minor (4A) at 130 BPM. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2014 production that still circulates in sets. More underground than 99% of Andrew Rayel's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 88% of Andrew Rayel's catalogue
- Low end:
- more bass-heavy than 86% of Andrew Rayel's catalogue
- Brightness:
- brighter than 83% of Andrew Rayel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Miracles (album mix) in?
Miracles (album mix) by Andrew Rayel is in F minor, or 4A on the Camelot wheel.
What BPM is Miracles (album mix)?
Miracles (album mix) runs at 130 BPM, a peak-time tempo track.
What mixes well with Miracles (album mix)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Miracles (album mix) good for peak time?
With energy 96 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 130 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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