We Come Together - Arty Remix Edit
- Key
- 8A · A minor
- BPM
- 130
- Open Key
- 1m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 5:03
- Released
- 2011
- Album
- VONYC Sessions 2011 (Unmixed Edits)
- Genre
- Trance
- Loudness
- -6.5 dB
- ISRC
- DEQ691100041
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Come Togetheroriginal9B · 135
- We Come Together - Chriss Ortega Remixremix8A · 130
- We Come Together [Mix Cut] - Arty Remixremix8A · 135
Against the original (9B at 135 BPM), this version runs 5 BPM slower and moves the key from 9B to 8A.
We Come Together - Arty Remix Edit runs 130 BPM in A minor (8A), a peak-time tempo trance record. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. More underground than 99% of Paul van Dyk's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 98% of Paul van Dyk's catalogue
- Tempo:
- slower than 80% of Paul van Dyk's catalogue
- Groove:
- groovier than 76% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is We Come Together - Arty Remix Edit in?
We Come Together - Arty Remix Edit by Paul van Dyk is in A minor, or 8A on the Camelot wheel.
What BPM is We Come Together - Arty Remix Edit?
We Come Together - Arty Remix Edit runs at 130 BPM, a peak-time tempo track.
What mixes well with We Come Together - Arty Remix Edit?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is We Come Together - Arty Remix Edit good for peak time?
With energy 94 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
![The Creation [Prague] (Transmission Theme 2015) by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e020e2c39493213ed656434a643){kind=small}
How to mix it
In 8A at 130 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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