Missing - Andrew Rayel & Mark Sixma Extended Remix
30s preview
- BPM
- 130
- Open Key
- 3m
- Energy
- 96/100
- Pop
- 3/100
- Length
- 4:34
- Released
- 2017
- Album
- Missing (Andrew Rayel & Mark Sixma Remix)
- Genre
- Trance
- Loudness
- -3.7 dB
- Dynamics
- 10.7 dB
- ISRC
- NLF711711311
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Missing - Andrew Rayel & Mark Sixma Remixremix10A · 130
Missing - Andrew Rayel & Mark Sixma Extended Remix is a peak-time tempo trance track in B minor (10A) at 130 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2017 production that still circulates in sets. Groovier than 88% of Andrew Rayel's catalogue.
- Energy:
- hotter than 83% of Andrew Rayel's catalogue
- Tempo:
- slower than 79% of Andrew Rayel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Missing - Andrew Rayel & Mark Sixma Extended Remix in?
Missing - Andrew Rayel & Mark Sixma Extended Remix by Andrew Rayel is in B minor, or 10A on the Camelot wheel.
What BPM is Missing - Andrew Rayel & Mark Sixma Extended Remix?
Missing - Andrew Rayel & Mark Sixma Extended Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Missing - Andrew Rayel & Mark Sixma Extended Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Missing - Andrew Rayel & Mark Sixma Extended Remix good for peak time?
With energy 96 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 130 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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