Epiphany
- BPM
- 130
- Open Key
- 6m
- Energy
- 97/100
- Pop
- 7/100
- Length
- 4:53
- Released
- 2016
- Genre
- Trance
- Loudness
- -3.2 dB
- ISRC
- NLF711602282
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo trance cut, Epiphany sits in A♭ minor (1A) at 130 BPM. Tonally it lands dark and driving. It is vocal-led. The master is loud and heavily compressed. A 2016 production that still circulates in sets. Hotter than 85% of Andrew Rayel's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- slower than 79% of Andrew Rayel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Epiphany in?
Epiphany by Andrew Rayel is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Epiphany?
Epiphany runs at 130 BPM, a peak-time tempo track.
What mixes well with Epiphany?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Epiphany good for peak time?
With energy 97 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 130 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More trance
More from Andrew Rayel
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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