Reloaded by Markus Schulz cover art

30s preview

Key
5A · C minor
BPM
128
Open Key
10m
Energy
88/100
Pop
5/100
Length
4:36
Released
2014
Album
Scream 2
Genre
Trance
Loudness
-5.7 dB
Dynamics
11.3 dB
ISRC
NLF711400299

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Reloaded runs 128 BPM in C minor (5A), a peak-time tempo trance record. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 11 dB). A 2014 production that still circulates in sets. More treble-tilted than 80% of Markus Schulz's catalogue.

Tempo:
slower than 77% of Markus Schulz's catalogue
Brightness:
darker than 76% of Markus Schulz's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood7Dark
Groove50
Acoustic1
Instrumental85
Live12
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Reloaded in?

Reloaded by Markus Schulz is in C minor, or 5A on the Camelot wheel.

What BPM is Reloaded?

Reloaded runs at 128 BPM, a peak-time tempo track.

What mixes well with Reloaded?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is Reloaded good for peak time?

With energy 88 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

#TrackKey·BPM

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 128 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 88/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More trance

More from Markus Schulz

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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