Corsten's Countdown 650 Intro (CC650)
30s preview
- BPM
- 128
- Open Key
- 3d
- Energy
- 88/100
- Pop
- 0/100
- Length
- 2:11
- Released
- 2019
- Album
- Corsten's Countdown 650
- Genre
- Trance
- Loudness
- -3.9 dB
- Dynamics
- 11.5 dB
- ISRC
- NLD681904296
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Corsten's Countdown 650 Intro (CC650): peak-time tempo trance, D major (10B), 128 BPM. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Ferry Corsten's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 88% of Ferry Corsten's catalogue
- Low end:
- more treble-tilted than 87% of Ferry Corsten's catalogue
- Groove:
- less groove-driven than 80% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Corsten's Countdown 650 Intro (CC650) in?
Corsten's Countdown 650 Intro (CC650) by Ferry Corsten is in D major, or 10B on the Camelot wheel.
What BPM is Corsten's Countdown 650 Intro (CC650)?
Corsten's Countdown 650 Intro (CC650) runs at 128 BPM, a peak-time tempo track.
What mixes well with Corsten's Countdown 650 Intro (CC650)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Corsten's Countdown 650 Intro (CC650) good for peak time?
With energy 88 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
![Corsten's Countdown 448 Intro [CC448] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e026d979db2bef8673e9026799f){kind=small}
![Corsten's Countdown Intro [CC447] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e023b846f5c2f7ea915d9184be4){kind=small}
How to mix it
In 10B at 128 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Ferry Corsten
Full profile
![New Inner Way (ASOT 1215) [Trending Track] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e027d6073953cf296ab1c10248a){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.