Cruiser (Tenishia extended remix) by Gareth Emery cover art

Cruiser (Tenishia extended remix)

Gareth Emery

Key
7A · D minor
BPM
128
Open Key
12m
Energy
89/100
Pop
0/100
Length
4:51
Released
2016
Genre
Trance
Loudness
-6.4 dB
ISRC
NLF711610528

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Cruiser (Tenishia extended remix) runs 128 BPM in D minor (7A), a peak-time tempo trance record. The feel is dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. A 2016 production that still circulates in sets. More underground than 99% of Gareth Emery's catalogue. In a set it works best as a peak-time weapon.

Groove:
less groove-driven than 96% of Gareth Emery's catalogue
Tempo:
slower than 87% of Gareth Emery's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood32Dark
Groove40
Acoustic2
Instrumental4
Live66
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Cruiser (Tenishia extended remix) in?

Cruiser (Tenishia extended remix) by Gareth Emery is in D minor, or 7A on the Camelot wheel.

What BPM is Cruiser (Tenishia extended remix)?

Cruiser (Tenishia extended remix) runs at 128 BPM, a peak-time tempo track.

What mixes well with Cruiser (Tenishia extended remix)?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is Cruiser (Tenishia extended remix) good for peak time?

With energy 89 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

#TrackKey·BPM

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 128 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 89/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More trance

More from Gareth Emery

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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