So True by Kyau & Albert cover art

30s preview

Key
11B · A major
BPM
128
Open Key
4d
Energy
87/100
Pop
9/100
Length
3:51
Released
2019
Genre
Trance
Loudness
-5.1 dB
Dynamics
12.8 dB
ISRC
DEL671900180

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

So True: peak-time tempo trance, A major (11B), 128 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Less groove-driven than 99% of Kyau & Albert's catalogue. In a set it works best as a peak-time weapon.

Brightness:
darker than 90% of Kyau & Albert's catalogue
Reach:
better known than 88% of Kyau & Albert's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood9Dark
Groove32
Acoustic3
Instrumental81
Live18
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is So True in?

So True by Kyau & Albert is in A major, or 11B on the Camelot wheel.

What BPM is So True?

So True runs at 128 BPM, a peak-time tempo track.

What mixes well with So True?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is So True good for peak time?

With energy 87 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

#TrackKey·BPM

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 128 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

#TrackKey·BPM

More trance

More from Kyau & Albert

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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