Lose Yourself - Cubicore Extended Mix
30s preview
- BPM
- 128
- Open Key
- 8d
- Energy
- 88/100
- Pop
- 5/100
- Length
- 6:23
- Released
- 2024
- Album
- Lose Yourself (Cubicore Remix)
- Genre
- Progressive Trance
- Loudness
- -7.7 dB
- Dynamics
- 11.4 dB
- ISRC
- NLUQ62000069
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lose Yourselforiginal11B · 123
- Lose Yourself - Cubicore Remixremix11B · 128
- Lose Yourself - Extendedversion11B · 123
- Lose Yourself - Huem Remixremix12A · 138
- Lose Yourself - Huem Extended Mixversion12A · 138
- Lose Yourself - Kostya Outta Remixremix12A · 123
Against the original (11B at 123 BPM), this version runs 5 BPM faster and moves the key from 11B to 3B.
At 128 BPM in D♭ major (3B), Lose Yourself - Cubicore Extended Mix is a peak-time tempo progressive trance production. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Lose Yourself - Cubicore Extended Mix in?
Lose Yourself - Cubicore Extended Mix by Ruben de Ronde is in D♭ major, or 3B on the Camelot wheel.
What BPM is Lose Yourself - Cubicore Extended Mix?
Lose Yourself - Cubicore Extended Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Lose Yourself - Cubicore Extended Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Lose Yourself - Cubicore Extended Mix good for peak time?
With energy 88 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive trance
More from Ruben de Ronde
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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