Lose Yourself - Kostya Outta Remix
30s preview
- BPM
- 123
- Open Key
- 5m
- Energy
- 85/100
- Pop
- 3/100
- Length
- 4:03
- Released
- 2021
- Album
- Lose Yourself (Kostya Outta Remix)
- Genre
- Progressive Trance
- Loudness
- -8.7 dB
- Dynamics
- 10.7 dB
- ISRC
- NLUQ62000041
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lose Yourselforiginal11B · 123
- Lose Yourself - Cubicore Remixremix11B · 128
- Lose Yourself - Extendedversion11B · 123
- Lose Yourself - Huem Remixremix12A · 138
- Lose Yourself - Cubicore Extended Mixversion3B · 128
- Lose Yourself - Huem Extended Mixversion12A · 138
Against the original (11B at 123 BPM), this version holds the same tempo and moves the key from 11B to 12A.
Lose Yourself - Kostya Outta Remix: club-tempo progressive trance, D♭ minor (12A), 123 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 93% of Ruben de Ronde's catalogue. For programming, treat it as a floor-filler.
- Groove:
- groovier than 84% of Ruben de Ronde's catalogue
- Low end:
- more bass-heavy than 83% of Ruben de Ronde's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Lose Yourself - Kostya Outta Remix in?
Lose Yourself - Kostya Outta Remix by Ruben de Ronde is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Lose Yourself - Kostya Outta Remix?
Lose Yourself - Kostya Outta Remix runs at 123 BPM, a club-tempo track.
What mixes well with Lose Yourself - Kostya Outta Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Lose Yourself - Kostya Outta Remix good for peak time?
With energy 85 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 123 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More progressive trance
More from Ruben de Ronde
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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