Homeward
30s preview
- BPM
- 130
- Open Key
- 3m
- Energy
- 77/100
- Pop
- 4/100
- Length
- 6:56
- Released
- 2015
- Genre
- Trance
- Loudness
- -8.3 dB
- Dynamics
- 11.8 dB
- ISRC
- NLQ881500080
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Homeward runs 130 BPM in B minor (10A), a peak-time tempo trance record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2015 production that still circulates in sets. Darker than 85% of Ferry Corsten's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 77% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Homeward in?
Homeward by Ferry Corsten is in B minor, or 10A on the Camelot wheel.
What BPM is Homeward?
Homeward runs at 130 BPM, a peak-time tempo track.
What mixes well with Homeward?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Homeward good for peak time?
With energy 77 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Good Things Fall Apart (with Jon Bellion) [Tiësto's Big Room Remix] by Tiësto cover art](https://i.scdn.co/image/ab67616d00001e02cece16c31b74b5aa1cc25073){kind=small}
How to mix it
In 10A at 130 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
![Every Little Beat [feat. Richard Bedford] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
More trance
![Golden Gate [San Francisco] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02e174a8d56176f52d163aa233){kind=small}
![Therapy (feat. James Newman) [Super8 & Tab Remix] by Armin van Buuren cover art](https://i.scdn.co/image/ab67616d00001e028db237a063e305de324bbd80){kind=small}
More from Ferry Corsten
Full profile
![New Inner Way (ASOT 1215) [Trending Track] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e027d6073953cf296ab1c10248a){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.