Come With Me (Tomorrowland Intro) - Live
30s preview
- BPM
- 130
- Open Key
- 4m
- Energy
- 77/100
- Pop
- 12/100
- Length
- 2:26
- Released
- 2018
- Album
- Live at Tomorrowland 2018
- Genre
- Trance
- Loudness
- -13.2 dB
- Dynamics
- 16.9 dB
- ISRC
- NLD681803140
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Come With Me - Album Intro Mixoriginal6A · 128
- Come With Meoriginal7A · 128
- Come With Meoriginal9B · 128
- Come With Me - Intro Mixoriginal6A · 128
- Come With Me - Introoriginal6A · 128
Against the original (6A at 128 BPM), this version runs 2 BPM faster and moves the key from 6A to 11A.
At 130 BPM in F♯ minor (11A), Come With Me (Tomorrowland Intro) - Live is a peak-time tempo trance production. Tonally it lands dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2018 production that still circulates in sets. More treble-tilted than 96% of Cosmic Gate's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 95% of Cosmic Gate's catalogue
- Brightness:
- darker than 83% of Cosmic Gate's catalogue
- Reach:
- better known than 80% of Cosmic Gate's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Come With Me (Tomorrowland Intro) - Live in?
Come With Me (Tomorrowland Intro) - Live by Cosmic Gate is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Come With Me (Tomorrowland Intro) - Live?
Come With Me (Tomorrowland Intro) - Live runs at 130 BPM, a peak-time tempo track.
What mixes well with Come With Me (Tomorrowland Intro) - Live?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Come With Me (Tomorrowland Intro) - Live good for peak time?
With energy 77 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
![The Awakening [Transmission 2018 Theme] by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/90ddd69e10571d9ff1a3.webp){kind=small}
How to mix it
In 11A at 130 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
![Therapy (feat. James Newman) [Super8 & Tab Remix] by Armin van Buuren cover art](https://i.scdn.co/image/ab67616d00001e028db237a063e305de324bbd80){kind=small}
More trance
![Every Little Beat [feat. Richard Bedford] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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