![Every Little Beat [feat. Richard Bedford] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp)
Every Little Beat [feat. Richard Bedford]
30s preview
- Key
- 8A · A minor
- BPM
- 130
- Open Key
- 1m
- Energy
- 78/100
- Pop
- 0/100
- Length
- 6:01
- Released
- 2011
- Genre
- Progressive Trance
- Loudness
- -7.9 dB
- Dynamics
- 12.0 dB
- ISRC
- GBEWA1100280
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Every Little Beat - Pretty Pink Extended Mixversion10B · 125
- Every Little Beat - Pretty Pink Remixremix10B · 125
- Every Little Beat - Khen Remixremix9A · 123
- Every Little Beat - Myon & Shane 54 Summer Of Love Mixoriginal9B · 131
- Every Little Beat - Radio Editversion8A · 130
- Every Little Beat - feat. Richard Bedford (Myon & Shane 54 Summer Of Love Mix)original9B · 134
Every Little Beat [feat. Richard Bedford]: peak-time tempo progressive trance, A minor (8A), 130 BPM. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. More underground than 99% of Above & Beyond's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Every Little Beat [feat. Richard Bedford] in?
Every Little Beat [feat. Richard Bedford] by Above & Beyond is in A minor, or 8A on the Camelot wheel.
What BPM is Every Little Beat [feat. Richard Bedford]?
Every Little Beat [feat. Richard Bedford] runs at 130 BPM, a peak-time tempo track.
What mixes well with Every Little Beat [feat. Richard Bedford]?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Every Little Beat [feat. Richard Bedford] good for peak time?
With energy 78 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
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How to mix it
In 8A at 130 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
![Golden Gate [San Francisco] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02e174a8d56176f52d163aa233){kind=small}
More progressive trance
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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