![The Awakening [Transmission 2018 Theme] by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/90ddd69e10571d9ff1a3.webp)
The Awakening [Transmission 2018 Theme]
- BPM
- 130
- Open Key
- 4d
- Energy
- 77/100
- Pop
- 0/100
- Length
- 8:04
- Released
- 2018
- Genre
- Trance
- Loudness
- -8.6 dB
- ISRC
- NLE711800548
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Awakening (acoustic)original11B · 132
The Awakening [Transmission 2018 Theme] runs 130 BPM in A major (11B), a peak-time tempo trance record. The mix is almost entirely instrumental. A 2018 production that still circulates in sets. Darker than 99% of Markus Schulz's catalogue.
- Reach:
- more underground than 99% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Awakening [Transmission 2018 Theme] in?
The Awakening [Transmission 2018 Theme] by Markus Schulz is in A major, or 11B on the Camelot wheel.
What BPM is The Awakening [Transmission 2018 Theme]?
The Awakening [Transmission 2018 Theme] runs at 130 BPM, a peak-time tempo track.
What mixes well with The Awakening [Transmission 2018 Theme]?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is The Awakening [Transmission 2018 Theme] good for peak time?
With energy 77 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
![Good Things Fall Apart (with Jon Bellion) [Tiësto's Big Room Remix] by Tiësto cover art](https://i.scdn.co/image/ab67616d00001e02cece16c31b74b5aa1cc25073){kind=small}
How to mix it
In 11B at 130 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
![Golden Gate [San Francisco] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02e174a8d56176f52d163aa233){kind=small}
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Every Little Beat [feat. Richard Bedford] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
Every insight on this page, for your own library.
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