Trinity by Ruben de Ronde cover art
Key
10A · B minor
BPM
130
Open Key
3m
Energy
78/100
Pop
8/100
Length
3:18
Released
2019
Genre
Progressive Trance
Loudness
-4.4 dB
ISRC
NLF711903212

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Trinity runs 130 BPM in B minor (10A), a peak-time tempo progressive trance record. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master is loud and heavily compressed. Groovier than 91% of Ruben de Ronde's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 80% of Ruben de Ronde's catalogue
Brightness:
brighter than 76% of Ruben de Ronde's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy78
Mood37Balanced
Groove77
Acoustic8
Instrumental81
Live10
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Trinity in?

Trinity by Ruben de Ronde is in B minor, or 10A on the Camelot wheel.

What BPM is Trinity?

Trinity runs at 130 BPM, a peak-time tempo track.

What mixes well with Trinity?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Trinity good for peak time?

With energy 78 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 130 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 78/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More progressive trance

More from Ruben de Ronde

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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