Verano - Pvd's Miami Mix
30s preview
- Key
- 1B · B major
- BPM
- 130
- Open Key
- 6d
- Energy
- 75/100
- Pop
- 2/100
- Length
- 7:08
- Released
- 2012
- Album
- Verano
- Genre
- Trance
- Loudness
- -7.3 dB
- Dynamics
- 9.6 dB
- ISRC
- DEQ691200034
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Veranooriginal4A · 130
- Verano - Austin Leeds Remixremix4A · 130
- Verano - Pvd's Full Fire Mixoriginal4A · 140
- Verano - Pvd's Evolution Mixoriginal8B · 130
- Verano - PvD's Berlin Mixoriginal3B · 136
Verano - Pvd's Miami Mix: peak-time tempo trance, B major (1B), 130 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2012 production that still circulates in sets. Darker than 96% of Paul van Dyk's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 94% of Paul van Dyk's catalogue
- Groove:
- groovier than 87% of Paul van Dyk's catalogue
- Tempo:
- slower than 80% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Verano - Pvd's Miami Mix in?
Verano - Pvd's Miami Mix by Paul van Dyk is in B major, or 1B on the Camelot wheel.
What BPM is Verano - Pvd's Miami Mix?
Verano - Pvd's Miami Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with Verano - Pvd's Miami Mix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Verano - Pvd's Miami Mix good for peak time?
With energy 75 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 130 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 75/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.