Love Is Not Enough - feat. Zoë Johnston [Above & Beyond Club Mix] by Above & Beyond cover art

Love Is Not Enough - feat. Zoë Johnston [Above & Beyond Club Mix]

Above & Beyond

Key
3A · B♭ minor
BPM
130
Open Key
8m
Energy
74/100
Pop
0/100
Length
7:43
Released
2011
Album
Love Is Not Enough (feat. Zoë Johnston)
Genre
Progressive Trance
Loudness
-6.7 dB
ISRC
GBEWA1101211

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3B at 130 BPM), this version holds the same tempo and moves the key from 3B to 3A.

Love Is Not Enough - feat. Zoë Johnston [Above & Beyond Club Mix]: peak-time tempo progressive trance, B♭ minor (3A), 130 BPM. It reads as dark and driving. It is vocal-led. A 2011 production that still circulates in sets. More underground than 99% of Above & Beyond's catalogue. For programming, treat it as a floor-filler.

Groove:
groovier than 89% of Above & Beyond's catalogue
Brightness:
brighter than 80% of Above & Beyond's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy74
Mood34Balanced
Groove72
Acoustic1
Instrumental16
Live36
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Love Is Not Enough - feat. Zoë Johnston [Above & Beyond Club Mix] in?

Love Is Not Enough - feat. Zoë Johnston [Above & Beyond Club Mix] by Above & Beyond is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Love Is Not Enough - feat. Zoë Johnston [Above & Beyond Club Mix]?

Love Is Not Enough - feat. Zoë Johnston [Above & Beyond Club Mix] runs at 130 BPM, a peak-time tempo track.

What mixes well with Love Is Not Enough - feat. Zoë Johnston [Above & Beyond Club Mix]?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Love Is Not Enough - feat. Zoë Johnston [Above & Beyond Club Mix] good for peak time?

With energy 74 out of 100 at 130 BPM, it works best as a floor-filler.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 130 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More progressive trance

More from Above & Beyond

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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