We're Not Going Home - Extended Mix
- BPM
- 130
- Open Key
- 7m
- Energy
- 74/100
- Pop
- 0/100
- Length
- 5:40
- Released
- 2018
- Album
- We're Not Going Home
- Genre
- Progressive Trance
- Loudness
- -5.8 dB
- ISRC
- AUXN21814797
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We're Not Going Homeoriginal2A · 130
- We're Not Going Homeoriginal2A · 130
Against the original (2A at 130 BPM), this version holds the same tempo in the same key.
At 130 BPM in E♭ minor (2A), We're Not Going Home - Extended Mix is a peak-time tempo progressive trance production. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. A 2018 production that still circulates in sets. More underground than 99% of Ilan Bluestone's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- brighter than 79% of Ilan Bluestone's catalogue
- Groove:
- groovier than 78% of Ilan Bluestone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is We're Not Going Home - Extended Mix in?
We're Not Going Home - Extended Mix by Ilan Bluestone is in E♭ minor, or 2A on the Camelot wheel.
What BPM is We're Not Going Home - Extended Mix?
We're Not Going Home - Extended Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with We're Not Going Home - Extended Mix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is We're Not Going Home - Extended Mix good for peak time?
With energy 74 out of 100 at 130 BPM, it works best as a floor-filler.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
![Love Is Not Enough - feat. Zoë Johnston [Above & Beyond Club Mix] by Above & Beyond cover art](https://i.scdn.co/image/ab67616d00001e025cb8ec171dfb3e386642c13f){kind=small}
How to mix it
In 2A at 130 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive trance
More from Ilan Bluestone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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