Greece 2000 (Letting You Go) - Markus Schulz Big Room Extended Remix
- BPM
- 130
- Open Key
- 5m
- Energy
- 74/100
- Pop
- 0/100
- Length
- 6:04
- Released
- 1999
- Album
- Greece 2000 (Markus Schulz Big Room Remix)
- Genre
- Trance
- Loudness
- -4.9 dB
- ISRC
- NLF711104419
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Greece 2000 - Markus Schulz Big Room Remixremix1A · 132
At 130 BPM in D♭ minor (12A), Greece 2000 (Letting You Go) - Markus Schulz Big Room Extended Remix is a peak-time tempo trance production. It reads as dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 1999 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. In a set it works best as a floor-filler.
- Groove:
- groovier than 94% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Greece 2000 (Letting You Go) - Markus Schulz Big Room Extended Remix in?
Greece 2000 (Letting You Go) - Markus Schulz Big Room Extended Remix by Markus Schulz is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Greece 2000 (Letting You Go) - Markus Schulz Big Room Extended Remix?
Greece 2000 (Letting You Go) - Markus Schulz Big Room Extended Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Greece 2000 (Letting You Go) - Markus Schulz Big Room Extended Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Greece 2000 (Letting You Go) - Markus Schulz Big Room Extended Remix good for peak time?
With energy 74 out of 100 at 130 BPM, it works best as a floor-filler.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
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How to mix it
In 12A at 130 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
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More trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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