![Sun & Moon - feat. Richard Bedford [Marcus Schossow Remix] by Above & Beyond cover art](https://i.scdn.co/image/ab67616d00001e024464ce0275bc2f0bca654ff1)
Sun & Moon - feat. Richard Bedford [Marcus Schossow Remix]
- BPM
- 129
- Open Key
- 4m
- Energy
- 71/100
- Pop
- 0/100
- Length
- 7:27
- Released
- 2011
- Album
- Thing Called Love (feat. Richard Bedford [The Remixes])
- Genre
- Progressive Trance
- Loudness
- -8.4 dB
- ISRC
- GBEWA1100350
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sun & Moon - Blastoyz Remixremix11A · 138
- Sun & Moon - ilan Bluestone Remixremix11A · 130
- Sun & Moon - Live At The Hollywood Bowloriginal11A · 137
- Sun & Moon - Blastoyz Extended Mixversion11A · 138
- Sun & Moon - ilan Bluestone Extended Mixversion11A · 130
- Sun & Moon - Manila Killa Remixremix11A · 124
Sun & Moon - feat. Richard Bedford [Marcus Schossow Remix] runs 129 BPM in F♯ minor (11A), a peak-time tempo progressive trance record. Tonally it lands dark and driving. A 2011 production that still circulates in sets. More underground than 99% of Above & Beyond's catalogue. In a set it works best as a floor-filler.
- Groove:
- groovier than 87% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Sun & Moon - feat. Richard Bedford [Marcus Schossow Remix] in?
Sun & Moon - feat. Richard Bedford [Marcus Schossow Remix] by Above & Beyond is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Sun & Moon - feat. Richard Bedford [Marcus Schossow Remix]?
Sun & Moon - feat. Richard Bedford [Marcus Schossow Remix] runs at 129 BPM, a peak-time tempo track.
What mixes well with Sun & Moon - feat. Richard Bedford [Marcus Schossow Remix]?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Sun & Moon - feat. Richard Bedford [Marcus Schossow Remix] good for peak time?
With energy 71 out of 100 at 129 BPM, it works best as a floor-filler.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 129 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More progressive trance
![Alone [Mix Cut] - Maor Levi Remix by Cosmic Gate cover art](https://i.scdn.co/image/ab67616d00001e02c10c70692035100edf519a94){kind=small}
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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