Venice Beach (edit)
30s preview
- Key
- 6A · G minor
- BPM
- 129
- Open Key
- 11m
- Energy
- 69/100
- Pop
- 0/100
- Length
- 7:44
- Released
- 2010
- Genre
- Trance
- Loudness
- -9.6 dB
- Dynamics
- 10.1 dB
- ISRC
- GBEWA0900383
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Venice Beach (edit): peak-time tempo trance, G minor (6A), 129 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2010 production that still circulates in sets. Groovier than 99% of Daniel Kandi's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- brighter than 99% of Daniel Kandi's catalogue
- Reach:
- more underground than 99% of Daniel Kandi's catalogue
- Low end:
- more bass-heavy than 96% of Daniel Kandi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Venice Beach (edit) in?
Venice Beach (edit) by Daniel Kandi is in G minor, or 6A on the Camelot wheel.
What BPM is Venice Beach (edit)?
Venice Beach (edit) runs at 129 BPM, a peak-time tempo track.
What mixes well with Venice Beach (edit)?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Venice Beach (edit) good for peak time?
With energy 69 out of 100 at 129 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
![Alchemy [feat. Zoë Johnston] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
How to mix it
In 6A at 129 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
![Sun & Moon - feat. Richard Bedford [Marcus Schossow Remix] by Above & Beyond cover art](https://i.scdn.co/image/ab67616d00001e024464ce0275bc2f0bca654ff1){kind=small}
More trance
![Cathedral [Montreal] (Mr. Pit Remix) by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e027db7f1cbac5ecdd25c056347){kind=small}
More from Daniel Kandi
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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