All Good Things (Original Mix)
30s preview
- BPM
- 128
- Open Key
- 7d
- Energy
- 69/100
- Pop
- 2/100
- Length
- 6:49
- Released
- 2014
- Genre
- Progressive Trance
- Loudness
- -4.5 dB
- Dynamics
- 10.9 dB
- ISRC
- DEQ691300082
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo progressive trance cut, All Good Things (Original Mix) sits in F♯ major (2B) at 128 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2014 production that still circulates in sets. Groovier than 98% of Genix's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- brighter than 95% of Genix's catalogue
- Energy:
- calmer than 85% of Genix's catalogue
- Tempo:
- slower than 82% of Genix's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is All Good Things (Original Mix) in?
All Good Things (Original Mix) by Genix is in F♯ major, or 2B on the Camelot wheel.
What BPM is All Good Things (Original Mix)?
All Good Things (Original Mix) runs at 128 BPM, a peak-time tempo track.
What mixes well with All Good Things (Original Mix)?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is All Good Things (Original Mix) good for peak time?
With energy 69 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 128 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive trance
More from Genix
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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