Everything I Wanted (ASOT 1241)
30s preview
- BPM
- 130
- Open Key
- 6m
- Energy
- 91/100
- Pop
- 13/100
- Length
- 3:23
- Released
- 2025
- Album
- ASOT 1241 - A State of Trance Episode 1241 (Including A State Of Trance Showcase - Mix 014: Maor Levi)
- Genre
- Trance
- Loudness
- -7.0 dB
- Dynamics
- 12.4 dB
- ISRC
- NLF712505970
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Everything I Wanted - Extended Mixversion1A · 128
- Everything I Wantedoriginal1A · 128
At 130 BPM in A♭ minor (1A), Everything I Wanted (ASOT 1241) is a peak-time tempo trance production. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Less groove-driven than 97% of Armin van Buuren's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 88% of Armin van Buuren's catalogue
- Reach:
- better known than 78% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Everything I Wanted (ASOT 1241) in?
Everything I Wanted (ASOT 1241) by Armin van Buuren is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Everything I Wanted (ASOT 1241)?
Everything I Wanted (ASOT 1241) runs at 130 BPM, a peak-time tempo track.
What mixes well with Everything I Wanted (ASOT 1241)?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Everything I Wanted (ASOT 1241) good for peak time?
With energy 91 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 130 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
![Fall Into You [Mix Cut] by Cosmic Gate cover art](https://i.scdn.co/image/ab67616d00001e029c97e38349ebafeed8d5aff3){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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