Sunday
30s preview
- BPM
- 130
- Open Key
- 3m
- Energy
- 95/100
- Pop
- 0/100
- Length
- 4:19
- Released
- 2012
- Album
- WKND
- Genre
- Trance
- Loudness
- -4.0 dB
- Dynamics
- 9.0 dB
- ISRC
- NLQ881100969
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Sunday is a peak-time tempo trance track in B minor (10A) at 130 BPM. It reads as punchy, neutral in mood. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2012 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 82% of Ferry Corsten's catalogue
- Energy:
- hotter than 81% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Sunday in?
Sunday by Ferry Corsten is in B minor, or 10A on the Camelot wheel.
What BPM is Sunday?
Sunday runs at 130 BPM, a peak-time tempo track.
What mixes well with Sunday?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Sunday good for peak time?
With energy 95 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Live Forever [Listener's Choice] [CC471] (Shogun Remix) by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e0285a183f00bb9b3e5192beb0d){kind=small}
How to mix it
In 10A at 130 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
![Materia [Mix Cut] by Cosmic Gate cover art](https://i.scdn.co/image/ab67616d00001e029c97e38349ebafeed8d5aff3){kind=small}
More trance
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Full profile
![New Inner Way (ASOT 1215) [Trending Track] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e027d6073953cf296ab1c10248a){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.