Loud Electronic Sensation
30s preview
- Key
- 9B · G major
- BPM
- 135
- Open Key
- 2d
- Energy
- 72/100
- Pop
- 2/100
- Length
- 3:26
- Released
- 2011
- Genre
- Trance
- Loudness
- -6.3 dB
- Dynamics
- 11.9 dB
- ISRC
- NLQ880700077
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Loud Electronic Sensation - Extended Mixversion9B · 135
Loud Electronic Sensation is a driving up-tempo trance track in G major (9B) at 135 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. Calmer than 76% of Ferry Corsten's catalogue.
- Groove:
- groovier than 75% of Ferry Corsten's catalogue
- Brightness:
- brighter than 75% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Loud Electronic Sensation in?
Loud Electronic Sensation by Ferry Corsten is in G major, or 9B on the Camelot wheel.
What BPM is Loud Electronic Sensation?
Loud Electronic Sensation runs at 135 BPM, a driving up-tempo track.
What mixes well with Loud Electronic Sensation?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Loud Electronic Sensation good for peak time?
With energy 72 out of 100 at 135 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 135 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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