Eternity - Giuseppe Ottaviani Re-Edit
- Key
- 8B · C major
- BPM
- 136
- Open Key
- 1d
- Energy
- 72/100
- Pop
- 0/100
- Length
- 6:36
- Released
- 2012
- Album
- Eternity (Remixes)
- Genre
- Trance
- Loudness
- -7.4 dB
- ISRC
- DEQ691200129
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Eternityoriginal8B · 128
- Eternity - Paul van Dyk & Alex M.O.R.P.H. Club Mixversion8B · 132
- Eternity - Qulinez Remixremix8B · 128
- Eternity (feat. Adam Young)original8B · 128
- Eternity (feat. Adam Young)original8B · 128
- Eternity - Johan Malmgren Instrumentaloriginal7A · 132
Against the original (8B at 128 BPM), this version runs 8 BPM faster in the same key.
Eternity - Giuseppe Ottaviani Re-Edit is a driving up-tempo trance track in C major (8B) at 136 BPM. It reads as dark and driving. A 2012 production that still circulates in sets. More underground than 99% of Paul van Dyk's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 78% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Eternity - Giuseppe Ottaviani Re-Edit in?
Eternity - Giuseppe Ottaviani Re-Edit by Paul van Dyk is in C major, or 8B on the Camelot wheel.
What BPM is Eternity - Giuseppe Ottaviani Re-Edit?
Eternity - Giuseppe Ottaviani Re-Edit runs at 136 BPM, a driving up-tempo track.
What mixes well with Eternity - Giuseppe Ottaviani Re-Edit?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Eternity - Giuseppe Ottaviani Re-Edit good for peak time?
With energy 72 out of 100 at 136 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 136 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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