Mary Go Wild! - Franky Rizardo ‘97 Remix
30s preview
- BPM
- 128
- Open Key
- 11d
- Energy
- 95/100
- Pop
- 31/100
- Length
- 3:36
- Released
- 2022
- Album
- Mary Go Wild! (Franky Rizardo ‘97 Remix)
- Genre
- House
- Loudness
- -6.8 dB
- Dynamics
- 18.4 dB
- ISRC
- NLZ542200788
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Mary Go Wild! - Franky Rizardo Remixremix4A · 128
- Mary Go Wild! - Franky Rizardo ‘97 Extended Remixremix6A · 128
- Mary Go Wild! - Franky Rizardo Extended Remixremix4B · 128
At 128 BPM in B♭ major (6B), Mary Go Wild! - Franky Rizardo ‘97 Remix is a peak-time tempo house production. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 18 dB). Less groove-driven than 96% of Franky Rizardo's catalogue.
- Low end:
- more treble-tilted than 92% of Franky Rizardo's catalogue
- Energy:
- hotter than 87% of Franky Rizardo's catalogue
- Reach:
- better known than 85% of Franky Rizardo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Mary Go Wild! - Franky Rizardo ‘97 Remix in?
Mary Go Wild! - Franky Rizardo ‘97 Remix by Franky Rizardo is in B♭ major, or 6B on the Camelot wheel.
What BPM is Mary Go Wild! - Franky Rizardo ‘97 Remix?
Mary Go Wild! - Franky Rizardo ‘97 Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Mary Go Wild! - Franky Rizardo ‘97 Remix?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Mary Go Wild! - Franky Rizardo ‘97 Remix good for peak time?
With energy 95 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 128 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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![Cirrus [2/3] by NTO cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/a36beb57b42fcb4734ae.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
