Binary (original mix)
30s preview
- BPM
- 127
- Open Key
- 7d
- Energy
- 96/100
- Pop
- 7/100
- Length
- 5:15
- Released
- 2010
- Genre
- House
- Loudness
- -6.5 dB
- Dynamics
- 12.6 dB
- ISRC
- FRU981900770
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Binary (original mix) runs 127 BPM in F♯ major (2B), a peak-time tempo house record. It reads as dark and driving. Vocals read as instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2010 production that still circulates in sets. Darker than 96% of Étienne de Crécy's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 93% of Étienne de Crécy's catalogue
- Groove:
- less groove-driven than 92% of Étienne de Crécy's catalogue
- Tempo:
- faster than 76% of Étienne de Crécy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Binary (original mix) in?
Binary (original mix) by Étienne de Crécy is in F♯ major, or 2B on the Camelot wheel.
What BPM is Binary (original mix)?
Binary (original mix) runs at 127 BPM, a peak-time tempo track.
What mixes well with Binary (original mix)?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Binary (original mix) good for peak time?
With energy 96 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 127 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Étienne de Crécy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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