Just Hold On - Sub Focus & Wilkinson vs. Pola & Bryson Remix
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 7m
- Energy
- 90/100
- Pop
- 33/100
- Length
- 4:59
- Released
- 2020
- Album
- Just Hold On (Sub Focus & Wilkinson vs. Pola & Bryson Remix)
- Genre
- Drum N Bass
- Loudness
- -3.1 dB
- Dynamics
- 13.0 dB
- ISRC
- GBUM72002179
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Just Hold On - Eli Brown Remixremix12A · 127
- Just Hold Onoriginal2A · 124
Against the original (2A at 124 BPM), this version runs 50 BPM faster in the same key.
Just Hold On - Sub Focus & Wilkinson vs. Pola & Bryson Remix is a drum n bass track in E♭ minor (2A) at 174 BPM. The feel is dark and driving. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). Darker than 95% of Wilkinson's catalogue. In a set it works best as an opener or closing-set piece.
- Low end:
- more treble-tilted than 93% of Wilkinson's catalogue
- Groove:
- groovier than 82% of Wilkinson's catalogue
- Tempo:
- slower than 75% of Wilkinson's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Just Hold On - Sub Focus & Wilkinson vs. Pola & Bryson Remix in?
Just Hold On - Sub Focus & Wilkinson vs. Pola & Bryson Remix by Wilkinson is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Just Hold On - Sub Focus & Wilkinson vs. Pola & Bryson Remix?
Just Hold On - Sub Focus & Wilkinson vs. Pola & Bryson Remix runs at 174 BPM.
What mixes well with Just Hold On - Sub Focus & Wilkinson vs. Pola & Bryson Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Just Hold On - Sub Focus & Wilkinson vs. Pola & Bryson Remix good for peak time?
With energy 90 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 174 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Wilkinson
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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