
Gutterpunk - Radio Edit
30s preview
- Key
- 8A · A minor
- BPM
- 128
- Open Key
- 1m
- Energy
- 97/100
- Pop
- 0/100
- Length
- 3:03
- Released
- 2008
- Album
- Gutterpunk
- Genre
- Drum N Bass
- Loudness
- -3.9 dB
- Dynamics
- 10.7 dB
- ISRC
- GBBMQ0800013
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Gutterpunk - Body Snatchers Remixremix12B · 128
- Gutterpunk - Jaymo Remixremix8B · 126
- Gutterpunk - Mason Dubversion2B · 128
- Gutterpunk - Mason Remixremix1B · 128
- Gutterpunk - Originaloriginal2B · 128
Against the original (2B at 128 BPM), this version holds the same tempo and moves the key from 2B to 8A.
At 128 BPM in A minor (8A), Gutterpunk - Radio Edit is a peak-time tempo drum n bass production. It is vocal-led. The master is loud and heavily compressed. A 2008 production that still circulates in sets. Brighter than 99% of Noisia's catalogue.
- Reach:
- more underground than 99% of Noisia's catalogue
- Energy:
- hotter than 83% of Noisia's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Gutterpunk - Radio Edit in?
Gutterpunk - Radio Edit by Noisia is in A minor, or 8A on the Camelot wheel.
What BPM is Gutterpunk - Radio Edit?
Gutterpunk - Radio Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Gutterpunk - Radio Edit?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Gutterpunk - Radio Edit good for peak time?
With energy 97 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 128 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More drum n bass
More from Noisia
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.