Dead Limit
30s preview
- BPM
- 172
- Half-time
- 86
- Open Key
- 8d
- Energy
- 98/100
- Pop
- 44/100
- Length
- 6:01
- Released
- 2015
- Genre
- Drum N Bass
- Label
- Vision Recordings
- Loudness
- -2.0 dB
- Dynamics
- 10.2 dB
- ISRC
- USQY51590868
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dead Limit - Teddy Killerz Remixremix3B · 172
- Dead Limit (Noisia's 'Outer Edges' Remix)remix4A · 172
- Dead Limit - Koarse Final Tour Gabber Editversion3B · 172
- Dead Limit - Simula Remixremix3B · 175
At 172 BPM in D♭ major (3B), Dead Limit is a drum n bass production. The feel is dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2015 production that still circulates in sets. Better known than 99% of Noisia's catalogue. In a set it works best as an opener or closing-set piece.
- Energy:
- hotter than 86% of Noisia's catalogue
- Brightness:
- darker than 85% of Noisia's catalogue
- Low end:
- more treble-tilted than 78% of Noisia's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Dead Limit in?
Dead Limit by Noisia is in D♭ major, or 3B on the Camelot wheel.
What BPM is Dead Limit?
Dead Limit runs at 172 BPM.
What mixes well with Dead Limit?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Dead Limit good for peak time?
With energy 98 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 172 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from Noisia
Full profile![Supersonic (My Existence) [with Noisia, josh pan & Dylan Brady] by Noisia cover art](https://i.scdn.co/image/ab67616d00001e026a234b99763fe093e7989ebe){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.