Stamp Out
30s preview
- BPM
- 172
- Half-time
- 86
- Open Key
- 3d
- Energy
- 99/100
- Pop
- 9/100
- Length
- 4:08
- Released
- 2014
- Genre
- Drum N Bass
- Loudness
- -2.2 dB
- Dynamics
- 9.3 dB
- ISRC
- UKU932390069
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 172 BPM in D major (10B), Stamp Out is a drum n bass production. Tonally it lands punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2014 production that still circulates in sets. Hotter than 93% of Noisia's catalogue. For programming, treat it as an opener or closing-set piece.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Stamp Out in?
Stamp Out by Noisia is in D major, or 10B on the Camelot wheel.
What BPM is Stamp Out?
Stamp Out runs at 172 BPM.
What mixes well with Stamp Out?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Stamp Out good for peak time?
With energy 99 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 172 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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