Tranquility
30s preview
- BPM
- 172
- Half-time
- 86
- Open Key
- 6m
- Energy
- 99/100
- Pop
- 7/100
- Length
- 5:53
- Released
- 2018
- Genre
- Drum N Bass
- Loudness
- -3.9 dB
- Dynamics
- 11.7 dB
- ISRC
- GBCJY1800105
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Tranquility sits in A♭ minor (1A) at 172 BPM. The feel is dark and driving. The groove is loose and less beat-driven. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2018 production that still circulates in sets. Darker than 98% of Danny Byrd's catalogue. In a set it works best as an opener or closing-set piece.
- Energy:
- hotter than 95% of Danny Byrd's catalogue
- Groove:
- less groove-driven than 95% of Danny Byrd's catalogue
- Low end:
- more bass-heavy than 88% of Danny Byrd's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Tranquility in?
Tranquility by Danny Byrd is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Tranquility?
Tranquility runs at 172 BPM.
What mixes well with Tranquility?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Tranquility good for peak time?
With energy 99 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 172 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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