Dead Limit (Noisia's 'Outer Edges' Remix)
- Key
- 4A · F minor
- BPM
- 172
- Half-time
- 86
- Open Key
- 9m
- Energy
- 99/100
- Pop
- 17/100
- Length
- 4:22
- Released
- 2017
- Album
- Outer Edges (Noisia Remixes)
- Genre
- Drum N Bass
- Loudness
- -0.9 dB
- ISRC
- UKACT1713682
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dead Limitoriginal3B · 172
- Dead Limit - Teddy Killerz Remixremix3B · 172
- Dead Limit - Koarse Final Tour Gabber Editversion3B · 172
- Dead Limit - Simula Remixremix3B · 175
Against the original (3B at 172 BPM), this version holds the same tempo and moves the key from 3B to 4A.
A drum n bass cut, Dead Limit (Noisia's 'Outer Edges' Remix) sits in F minor (4A) at 172 BPM. The groove is loose and less beat-driven. It is vocal-led. Spoken-word passages run through it. The master is loud and heavily compressed. A 2017 production that still circulates in sets. Hotter than 96% of Noisia's catalogue.
- Groove:
- less groove-driven than 92% of Noisia's catalogue
- Brightness:
- darker than 89% of Noisia's catalogue
- Reach:
- better known than 79% of Noisia's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Dead Limit (Noisia's 'Outer Edges' Remix) in?
Dead Limit (Noisia's 'Outer Edges' Remix) by Noisia is in F minor, or 4A on the Camelot wheel.
What BPM is Dead Limit (Noisia's 'Outer Edges' Remix)?
Dead Limit (Noisia's 'Outer Edges' Remix) runs at 172 BPM.
What mixes well with Dead Limit (Noisia's 'Outer Edges' Remix)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Dead Limit (Noisia's 'Outer Edges' Remix) good for peak time?
With energy 99 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 172 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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