Stigma
30s preview
- BPM
- 172
- Half-time
- 86
- Open Key
- 3m
- Energy
- 99/100
- Pop
- 0/100
- Length
- 3:25
- Released
- 2010
- Album
- Split The Atom
- Genre
- Drum N Bass
- Loudness
- -2.6 dB
- Dynamics
- 10.5 dB
- ISRC
- NLCK41000168
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Stigma - Eptic Remixremix3B · 149
- Stigmaoriginal9B · 172
- Stigma - Burr Oak Remixremix9B · 172
- Stigma - Billain Remixremix9B · 112
- Stigma - Neosignal Remixremix9B · 148
Stigma: drum n bass, B minor (10A), 172 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2010 production that still circulates in sets. More underground than 99% of Noisia's catalogue. In a set it works best as an opener or closing-set piece.
- Energy:
- hotter than 96% of Noisia's catalogue
- Low end:
- more treble-tilted than 85% of Noisia's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Stigma in?
Stigma by Noisia is in B minor, or 10A on the Camelot wheel.
What BPM is Stigma?
Stigma runs at 172 BPM.
What mixes well with Stigma?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Stigma good for peak time?
With energy 99 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 172 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.