Stigma - Eptic Remix
- BPM
- 149
- Half-time
- 75
- Open Key
- 8d
- Energy
- 100/100
- Pop
- 22/100
- Length
- 4:10
- Released
- 2024
- Album
- The Resonance VII
- Genre
- Drum N Bass
- Loudness
- -1.9 dB
- ISRC
- UKACT2420267
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Stigmaoriginal9B · 172
- Stigma - Burr Oak Remixremix9B · 172
- Stigma - Billain Remixremix9B · 112
- Stigma - Neosignal Remixremix9B · 148
- Stigmaoriginal10A · 172
Against the original (9B at 172 BPM), this version runs 23 BPM slower and moves the key from 9B to 3B.
Stigma - Eptic Remix runs 149 BPM in D♭ major (3B), a fast drum n bass record. Tonally it lands dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master is loud and heavily compressed. Hotter than 99% of Noisia's catalogue. For programming, treat it as a high-intensity peak cut.
- Reach:
- better known than 90% of Noisia's catalogue
- Groove:
- less groove-driven than 83% of Noisia's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Stigma - Eptic Remix in?
Stigma - Eptic Remix by Noisia is in D♭ major, or 3B on the Camelot wheel.
What BPM is Stigma - Eptic Remix?
Stigma - Eptic Remix runs at 149 BPM, a fast track.
What mixes well with Stigma - Eptic Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Stigma - Eptic Remix good for peak time?
With energy 100 out of 100 at 149 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 149 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 140-158 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 149 — beatmatch without a big tempo pull.
More drum n bass
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 149 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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