Stay (PhaseOne remix)
30s preview
- Key
- 9A · E minor
- BPM
- 150
- Half-time
- 75
- Open Key
- 2m
- Energy
- 87/100
- Pop
- 6/100
- Length
- 3:57
- Released
- 2017
- Genre
- Drum N Bass
- Loudness
- -6.1 dB
- Dynamics
- 13.8 dB
- ISRC
- CA6D21800007
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Stay (PhaseOne remix) runs 150 BPM in E minor (9A), a fast drum n bass record. The feel is punchy, neutral in mood. The groove is loose and less beat-driven. It is vocal-led. The timbre leans dark. The master keeps unusual dynamic range for club music (crest 14 dB). A 2017 production that still circulates in sets. More treble-tilted than 85% of Delta Heavy's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- slower than 84% of Delta Heavy's catalogue
- Brightness:
- brighter than 84% of Delta Heavy's catalogue
- Energy:
- calmer than 83% of Delta Heavy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Stay (PhaseOne remix) in?
Stay (PhaseOne remix) by Delta Heavy is in E minor, or 9A on the Camelot wheel.
What BPM is Stay (PhaseOne remix)?
Stay (PhaseOne remix) runs at 150 BPM, a fast track.
What mixes well with Stay (PhaseOne remix)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Stay (PhaseOne remix) good for peak time?
With energy 87 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 150 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More drum n bass
More from Delta Heavy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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