Bad Decisions by Delta Heavy cover art

Bad Decisions

Delta Heavy

30s preview

Key
2A · E♭ minor
BPM
174
Half-time
87
Open Key
7m
Energy
95/100
Pop
41/100
Length
3:15
Released
2024
Genre
Drum N Bass
Loudness
-0.6 dB
Dynamics
12.1 dB
ISRC
GB2LD2410113

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 174 BPM in E♭ minor (2A), Bad Decisions is a drum n bass production. Tonally it lands dark and driving. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). More treble-tilted than 94% of Delta Heavy's catalogue. For programming, treat it as an opener or closing-set piece.

Reach:
better known than 88% of Delta Heavy's catalogue
Tempo:
slower than 75% of Delta Heavy's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood13Dark
Groove46
Acoustic0
Instrumental3
Live17
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
27%
Low
30-130 Hz
33%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Bad Decisions in?

Bad Decisions by Delta Heavy is in E♭ minor, or 2A on the Camelot wheel.

What BPM is Bad Decisions?

Bad Decisions runs at 174 BPM.

What mixes well with Bad Decisions?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is Bad Decisions good for peak time?

With energy 95 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 174 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

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Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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