Have It All by Culture Shock cover art

Have It All

Culture Shock

30s preview

Key
4A · F minor
BPM
174
Half-time
87
Open Key
9m
Energy
95/100
Pop
0/100
Length
5:03
Released
2016
Genre
Drum N Bass
Loudness
-3.1 dB
Dynamics
15.6 dB
ISRC
GB5KW1602418

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Have It All: drum n bass, F minor (4A), 174 BPM. The feel is dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 16 dB). A 2016 production that still circulates in sets. More underground than 99% of Culture Shock's catalogue. In a set it works best as an opener or closing-set piece.

Low end:
more treble-tilted than 99% of Culture Shock's catalogue
Groove:
less groove-driven than 76% of Culture Shock's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood35Balanced
Groove47
Acoustic17
Instrumental0
Live7
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
23%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
27%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Have It All in?

Have It All by Culture Shock is in F minor, or 4A on the Camelot wheel.

What BPM is Have It All?

Have It All runs at 174 BPM.

What mixes well with Have It All?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Have It All good for peak time?

With energy 95 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 174 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Culture Shock

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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