Got You There
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 3m
- Energy
- 96/100
- Pop
- 9/100
- Length
- 4:33
- Released
- 2019
- Genre
- Drum N Bass
- Loudness
- -0.7 dB
- Dynamics
- 10.4 dB
- ISRC
- GBTMZ1990061
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Got You There is a drum n bass track in B minor (10A) at 174 BPM. The feel is punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. In a set it works best as an opener or closing-set piece.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Got You There in?
Got You There by Matrix & Futurebound is in B minor, or 10A on the Camelot wheel.
What BPM is Got You There?
Got You There runs at 174 BPM.
What mixes well with Got You There?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Got You There good for peak time?
With energy 96 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 174 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Matrix & Futurebound
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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